Two Shorts with Nylon Fusion in NYC

(Disclaimer–all my news is going to seem a little late, because I was SWAMPED for August and September, but I’m trying to catch up now.)
On October 5 and 6, I had two short plays on stage in New York, thanks to the Nylon Fusion Theatre Company. They performed Beatrix Potter Must Die! a couple years ago, and it was great to work Cwith them again.
This time they produced The Retriever, an odd little play that I wrote for Mill 6’s “T Plays” one-act festival a while ago. It’s a play about a teenager who’s run off from the prom and the teacher who is sent to fetch her and their secrets. It’s fun and a little dark. I was so pleased that the play had a chance to be staged again.
They also included Second Look, a deceptively simple play about a guy who sees a former acquaintance on the street, begging for change. This one has been done a couple of other places, including twice at the Boston Theater Marathon (it was in 2018’s Marathon for a repeat performance, as one of the “best of the fest” selections). It’s a deeply human play about the awkwardness of hard situations and what we choose to see, and when we might not want to be seen.

Dir by Ben Gougeon
At This Rounds On Us: Making Sense: Can You See Me? Photo by Al Foote III


Dir by Ben Gougeon
At This Rounds On Us: Making Sense: Can You See Me? Photo by Al Foote III